SHIBAYAMA
WORKS
I'm finding it like NFT right now. My introduction & ART- CG
Picture taken 1993
Image of the future at that time
Tokyo Polytechnic University introduction video
Picture taken 1995
Information program catch-up "new design method"
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HP scanner video
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Picture taken 1997
Returning from a trip to India and talking about the future of creativity
Picture taken1995
Sound taken1993
FMt Tokyo December 4, 1993 That now deceasedTo Mr. Kazuhiko KatoI chose a selection of songs with the theme of Monochrome City.
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start working on a computer3 years have passedTa1993 Telephone Reportin 2023First year of AIread it to.
Third visual
It has been a long time since computers entered design offices and advertising agencies. In the past, designers only had two types of visuals (illustrations and photographs), but the production environment has changed dramatically as designers have acquired the means of visual production known as computers.
Taking the example of creating visuals in a studio up until now, we can accurately judge the situation and make decisions during the process of choosing a photographer, choosing a studio, creating props, and thinking about how to intertwine models. AD's capabilities have been demonstrated in the process of doing so. In an era when all visuals are converted into electronic color information by computers, almost everything involved in production will be processed visually on a computer in a virtual space. In this case, multiple computers are selected and combined and various software is used on them, so the ability to judge the countless options that arise from permutations and combinations is beginning to be required.
At present, computers have become personal, and at the same time they are in the hands of designers, they are also required to perform multiple tasks on their own. However, eventually each job function, once converged, will be reorganized on computers, including specialized machines, and will be differentiated into new job categories. From now on, ADs will be required to have the ability to put these together and the ability to judge cost performance.
(Nobuhiro Shibayama = CG director)
Photo taken in 1997
TITLE: New Design Structure-8th 1996 Step by Step-1
STATUS: Publish ALLOW COMMENTS: 0 CONVERT BREAKS: __default__ ALLOW PINGS: 0 PRIMARY CATEGORY: 000Works & Press CATEGORY: 000Works & Press
DATE: 06/06/1995 10:48:25 AM -----
BODY:
A place and an event
As I heard from the event producer, this was a few years ago (around 1992) using ISDN and satellites to bring a family traveling overseas from Japan to a foreign husband on a business trip using a videophone conference system. , It seems that he made a meeting with his family, his wife, and children who are left in Japan. Until the day before, my wife used to talk with her husband on the home phone about what happened today, what happened at her child's school, and today's menu. When I saw the face of my husband who was transferred on the big menu, I was trying to talk a lot, but I couldn't speak a word with tears.
I was impressed with this story. It wasn't the first time in 10 years that I met my disappeared family on a TV variety show, but I was impressed by the benefits and places of technology. The torn family gained from a wealth of information the realization that they are certainly living on the other side of the globe through the venue and the space created by technology. People can feel relieved just by talking on the phone, but I thought that seeing their faces really had an impact on humans.
Speaking of me, there was something like this. About 20 years ago, when I went touring with Furari on a motorcycle for a few days, when a biker coming from the opposite side sent back a peace sign, it was a bike that ran a long distance at high speed with a sense of mutual awareness. It was somewhat similar to that feeling of confidence in the machine. Bikes and winding roads are technology-guaranteed places.
It may be easier to understand the place in terms of aspects, but it is connected while separating the two parts. For example, a mountain or the sea, a place that transcends a certain absurdity, whether or not there is a party there.
At present, I am wondering if the network of cables and servers called the Internet can be regarded as a place, and I also wonder if the place itself can be incorporated into the method of content expression.
In 1995 of the above article, international calls were still unusually high. Added in April 2022
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I read this 1993 text in March 2023. A long time ago, 30 years ago, I predicted that creators would be reborn as a new profession. That's exactly what happened. Now that AI is on the rise, ChatGPT and others are finally starting to write for blogs. AI is now used in Excel, 3D, websites, PHP programs, and illustrations. It's more scary than convenient. 1: Discover the issue → 2: Find the answer to the issue → 3: Implement it. AI will provide the answer to the second problem. The other two are done by people. In other words, from now on, it will be important for people to be clear about what they want to investigate. On the other hand, AI has a huge amount of information on all of humanity's past history. It looks like we'll be able to find that answer in the future. The rest is for people to take action based on the information they have obtained. In order to discover the problem in step 1, spells, or prompts, for the AI are important.This is prompt engineering.
今回の私の作品は脳をテーマにしています。いかに刺激を脳に与えるかということはいままでの私の中の興味の素材でした（例えばシンクロエナジャイザーやトッドラングレンのスクリーンセーバー、ホロフォニクスサウンドなど）が、刺激に対してどういうような脳の状態になるのかというようなことも興味の対象になってきました。つまり脳を中心とした入力と出力の関係と言ってもよいと思います。それを行なうためには客観的に見て第三者がわかるような方法論が必要だった訳ですが、コンピューターと脳波計という新しいテクノロジーがそれを可能にしてくれました。今回のビデオ作品は私の脳波の中の日記の一部を使用したものですが、アルファー波が出ると、あるサウンドが鳴り、ベーター波やデルター波が出ると、その時の脳波の強さに応じたサウンドが出るようになっています。これで第三者が客観的に私の気持ちを音楽のようなものでわかるようになれるわけです。この装置のことをわたしはブレイン・ボイスと名付けました。この装置を使用するときに私の脳はコンピューターに半分電磁波を通して移植した状態となります。私の様な人間がたくさん出てくればネットワークを通して、情報ではなく、感情を交信しあえる時代が来るでしょう。しかもこの時は脳そのものがインターフェイスとなっているので、キーボードやマウスを使わない時代となっていることでしょう。今回の作品はそうした時代へのメッセージなのです。